The Initial Proposals That Fell Short: How the Israeli National Emblem Was Chosen

It was a close competition between artists to see who would receive the honor of designing the National Emblem

Emblem715 537

By Daniella Gardosh-Santo and Yoram E. Shamir

Two days before the declaration of independence of the State of Israel, the members of the People’s Administration realized that they forgot a rather important detail about the polity about to be formed: They had yet to decide on the State’s name. Various suggestions were tabled at that meeting: Judah, Zion, and of course, the eventual winner – Israel.

Three weeks after the State’s establishment, the interim provisional government invited the citizens of Israel to propose a design for the national flag and emblem. The design guidelines left the competing artists with room for creative license.

The guidelines specified which colors were to be used: sky-blue and white “and any other color as per the artist’s taste” and the emblem was to feature a seven-lamp candelabra and seven stars. The guidelines also stated that,  “Any other suggestion or idea is welcome,” and included the disclaimer that, “The government is not obliged to accept any of the suggestions received.”

No inscription was specified and no guidelines were given regarding borders or framing of the emblem.

The final date for submissions was June 14, 1948.

Inscription: “Proposed emblem for the State of Israel”

 

Inscription: “Peace Upon Israel” and the names of the 12 tribes

 

 

 

Inscription: “Israel”. Above: “Proposed emblem for the State of Israel”; next to yellow box: “Can also be gold.”

 

Above: Some of the proposals rejected by the Commission to Select the National Emblem

The Provisional Government’s call yielded 450 proposals submitted by 164 applicants. One by one they were all rejected by the committee established for the purpose. A second ad calling for submissions was published. In the second round, the proposed emblem by Gavriel and Maxim Shamir of Shamir Brothers Studio carried the day. The combination of five elements in the Shamir Brothers proposal convinced the commission members that they had found a winner:

One of the first sketches proposed by the Shamir Brothers to the Commission to Select the National Emblem

The menorah and the stars appeared as required by the tender. The Shamir brothers added three additional elements: The olive branches, the heraldic shield and the colors.

They chose to design the menorah in a modern fashion. “Our intention was to create a modern symbol and forego the traditional element,” they revealed in an interview to ‘Maariv’ (Hebrew). The olive branches were added as the brothers found them to be “the most appealing expression of the love of peace among the People of Israel.” In the same interview the brothers told of how they  had thoroughly studied all the emblems of the countries of the world.

The Shamir brothers in the 1970’s. Photo by Yoram Shamir

In the course of their research they discovered that no country had a candelabra in its emblem, but one country did have a six-pointed star, like the “Star of David”. It is most likely that they also learned that the vast majority of national emblems were in the shape of heraldic shields, such as those used by royal and noble houses since the middle ages.

Although the design had been approved, the Shamir brothers were asked to make some changes to the emblem. Firstly, to add the name “Israel.” Second, to replace the modern menorah with the one carved into the Arch of Titus in Rome. After examining two versions prepared by the brothers, the committee decided to drop the stars. The final proposal was submitted to the commission on February 10, 1949 and was approved unanimously.

Two days later the official newspaper of the Provisional Government published an announcement of the national emblem signed by the commission’s chairman, Yosef Sprintzak. A few months later, the Shamir brothers prepared a final version of the emblem, in which the base of the menorah was embellished.

Sketch of the final version of the national emblem from 1949, signed by Prime Minister David Ben-Gurion. When the commission to select the flag and emblem was criticized for the lengthy process, Ben-Gurion replied: “Choosing a flag and emblem for the state is not done every day.”

The unveiling of the emblem brought with it both praise and criticisim. The critique focused on the graphic design and the choice of the menorah from the Arch of Titus, which is at odds with the description of the temple menorah as described in the bible. “Apparently foreign hands have been involved, and it is not all in accordance with the sacred text,” was the ruling of Chief Rabbi Isaac HaLevi Herzog.

An article published on February 21, 1949 in the ‘Yedioth Ahronoth’ newspaper posited: “What would the artists prefer: A design that was approved, yet critiqued, or one that was rejected and acclaimed by all? We would safely guess that the Shamir Brothers would choose the former.”

About the authors of the article

Daniella Gardosh-Santo formerly served as head of the Children and Youth Department for Israel’s public broadcaster Channel 1. She is the daughter of renowned cartoonist ‘Dosh’ – Kariel Gardosh. Along with her brother she initiated the Dosh prize for cartoonists. Daniella and Yoram Shamir were co-curators of the exhibit “More Than Just an Emblem” at The Israeli Cartoon Museum in Holon.

Yoram E. Shamir has been studying graphics for the past decade. He recently  curated (along with Rotem Kislev) an exhibit on the National Library website titled “Football Under the Auspices of His Majesty.” Over the last three years Shamir has edited two books on graphics as well as a website devoted to the works of his father and uncle – The Shamir Brothers.

 

 

The American Politician Who Would Not Remain Silent in the Face of the Holocaust

How Henry Morgenthau went from mild-mannered cabinet secretary to being one of the greatest advocates for Europe’s Jews during the Holocaust?

Official portrait of Henry Morgenthau, Jr., 1930s, Collection of the National Library

Despite his many virtues, President Franklin D. Roosevelt was in short supply of the virtue of religious tolerance. During a meeting with Secretary of the Treasury, Henry Morgenthau, Jr., he told the Jewish politician that the United States was a Protestant country and therefore, as President he would never openly petition for either the Catholic or the Jewish minority. He explained that in his choice of Morgenthau for the position of secretary of the treasury – a key cabinet post in the period of the Great Depression and World War II – he was looking for the best man for the job. However, his aides claimed, even when he was still alive, that he had asked them to find him “the most talented Jew for the position.”

Nevertheless, the Secretary of the Treasury still considered the President a very close friend. Roosevelt’s relationship with Morgenthau however, was no different than the relationships he had with his other subordinates – the President specialized in provoking a basic insecurity among those who worked under him. Due to his independent wealth, Morgenthau would have had no problem buying a fancy home for his family to live in while he was working in Washington, DC, but instead, he moved his family from one rented apartment to another because. “I never felt that my work could wait until morning,” Morgenthau remarked years after Roosevelt’s death. This fear made the Secretary of the Treasury (along with most of the President’s advisors), into a submissive employee who did his best to not provoke the President’s ire.

The Three Great Leaders at Yalta: Joseph Stalin, Franklin Delano Roosevelt and Winston Churchill

This all changed with a phone call to Morgenthau’s office toward the end of 1943. That fateful day, the Secretary of the Treasury picked up the phone in his office and was surprised to hear a familiar voice – it was none other than the Rabbi and close friend who had officiated at Morgenthau’s own wedding. The agitated Rabbi pressured Morgenthau to tell him everything he might know about what was happening in occupied Europe. The baffled Secretary of the Treasury asked his friend to explain the meaning of his request.  Over many minutes, the Rabbi related in great detail the long list of atrocities the Nazis were perpetrating against the Jews, the emptying of the ghettos, the trains to the East and the concentration camps. “Henry, do you know that lampshades are being manufactured out of the skin of the slaughtered Jews?” his friend asked. Reeling from all he had heard, Morgenthau asked to end the conversation before he fainted.

The more he learned and heard from the many reports coming from survivors who had managed to escape the inferno,  the more Morgenthau felt himself changing from a mild-mannered man into a man with a mission. He felt it his duty to save as many Jews as possible.  Determined to force Roosevelt to act even at the price of his job, he met with the President in 1944 and presented him with a detailed report titled “Report on the Acquiescence of this Government in the Murder of Jews.” He then spread the facts before the President (which Roosevelt had known already since the start of 1942), and demanded that the American government take every action to stop the systematic and industrialized killing of the Jewish People. He did not stop with a moral demand, but appealed to the President’s base interest. He called upon Roosevelt to reveal publicly what was happening in Europe and to condemn the Nazi atrocities in no uncertain terms, lest the discovery lead to a scandal which would seriously damage Roosevelt’s chances of re-election to a fourth presidential term.

The chance Morgenthau took paid off: within weeks a refugee commission was formed, whose purpose was to unite the efforts to smuggle Jews out of Nazi occupied areas. An agreement was signed allowing for the unrestricted admission into the US of Jews from Europe, and considerable aid was sent to Raoul Wallenberg to help in his heroic rescue efforts. Less than two months after their encounter in the Oval Office, Roosevelt made his first speech acknowledging the Holocaust that was raging in Europe. Morgenthau did not stop there. He formulated a plan of action against Germany: the plan called for the destruction of all military and civil industry in Germany at the end of the war. “The Morgenthau Plan” was rejected by Harry Truman, Roosevelt’s successor to the presidency after the latter’s death in April 1945 (only weeks before Germany’s surrender).  In the end, the efforts of Morgenthau and of other American activists led to the rescue of 200,000 Jewish refugees from the jaws of the Nazi killing machines.

After the war Henry Morgenthau was fired by President Truman. He became an enthusiastic and loyal supporter of the fledgling State of Israel, and was appointed chairman of the United Jewish Appeal in America.

Letter from Morgenthau to Dr. Yehuda Leib Magnes, congratulating him on the achievements of the Hebrew University, and showing Morgenthau’s support (even during the war) for the “state in the making.” From the Yehuda Leib Magnes Archive, The Central Archives for the History of the Jewish People at the National Library of Israel

“If Judaism is a tragedy, let us live it” – Stefan Zweig’s Letters Revealed

26 letters and 6 postcards, previously unknown, all by Stefan Zweig, one of the greatest writers of the first half of the twentieth century, have been given to the National Library of Israel.

The author Stefan Zweig in a photograph from the 1920s

The letters shed new light on Zweig’s personality, his attitudes toward Judaism and Zionism, and his political prophecy, as he alludes to the rise of Nazism 12 years before Adolf Hitler seized power.

​In 1921 a 16 year old fan of Stefan Zweig, Hans Rosenkranz, sent him a letter, seeking advice on becoming a writer. Zweig wrote back to Resenkranz beginning the long correspondence between the two that blossomed into a mentorship. Zweig offered professional, moral, and even financial support for years – right through 1933, when the Nazis rose to power.

A letter the author Stefan Zweig sent to Hans Rosenkranz. Donated by Hannah Jacobson

The letters have been given to the National Library of Israel by Hannah Jacobcon, Rosenkranz’s step daughter, a resident of Bat Yam in Israel,  are remarkable. It was unusual for authors to write back to their fans in such a way, but Zweig even referred a number of his writer friends. Zweig also went so far as to give Rosenkranz the right to print and market the German version of Anatole France’s “Joan of Arc”, which had been translated by his first wife, Friderike Zweig. This was certainly great help to the young publisher.

Throughout their longstanding correspondence, and contrary to his usual practice, Zweig discussed Jewish topics, writing in his first letter, for example, “There is nothing I hate more than the self-worship of nations and their refusal to recognize a variety of forms of peoples and the types of human beings and to experience them as the beauty of being. In terms of history, it is simply clear to me that certainly Judaism is now thriving culturally and flourishing as it has not flourished for hundreds of years. Perhaps this is the flare up before extinguishment. Perhaps this is nothing other than a brief burst in the eruption of the world’s hatred…”  Zweig continues, “The Jew must be proud of his Judaism and glorify in it – yet it is not appropriate to brag about accomplishments you have achieved with your own hands, not to mention the accomplishments of a mass and homogenous body to which you belong… anti-Semitism, hatred, internal strife are all ancient elements of our historical destiny – always problematic… we must therefore look for a way out; we must be brave to remain within our destiny. If Judaism is a tragedy, let us live it.”

The author Stefan Zweig in a photograph from the 1920s

In another letter the young Rosenkranz wished to know Zweig’s opinion regarding the possibility of moving to the Land of Israel. Zweig, who was well travelled, but never to Israel, did not support the idea, citing the death of the son of a friend who had moved there, leaving the father “a broken vessel”.

Despite the fact that Zweig had reservations about the Zionist enterprise, Zweig admired Theodore Herzl, and wrote, “In recent days I have read Herzl’s diaries: so great was the idea, so pure, so long as it was just a dream, clean of politics and sociology… we, who were close to him, were hesitant to hand all of our lives over to him… I told him that I cannot do anything which is not complete  … art and the world as a whole were too important for me to devote myself to the nation and nothing else… go there only if you believe, not out of disgust from this German world nor due to bitterness seeking an outlet through escape.”

Dr. Stefan Litt, who is responsible for handling Zweig’s archival materials at the National Library, explains that these letters provide important new information about Zweig as a writer and an individual with a critical eye. The letters contain fascinating insights into the beliefs and mindset of the renowned author, who offered many pieces of advice for aspiring writers throughout the decade-long correspondence. Zweig notes that it is important to study in university, as a broad education is essential for anyone wanting to be a writer and that it is important to get to know other countries and cultures, and especially to learn additional languages. In Zweig’s words, “Learn languages now! That’s the key to freedom. Who knows, maybe Germany and Europe will become so stifling that the free spirit will not be able to breathe within them”.

Despite Zweig’s advice, literary support and financial assistance, Rosenkranz was unable to fulfill his literary ambitions. In the early 1930s, he married Lily Hyman, a divorcee and mother of a very young daughter. The family immigrated to Palestine in December 1933 and several years later Rosenkranz joined the Jewish Brigade of the British Army as an officer in a unit that fought in Italy during World War II. During the war, he contracted lung disease from which he never fully recovered.

After the war, he divorced, changed his name to Chai Ataron and began writing for the Jerusalem Post and Ha’aretz. On October 25, 1956, Rosenkranz committed suicide, as Stefan Zweig had 14 years earlier. His stepdaughter Hannah Jacobsohn kept in touch with him over the years, even after he separated from her mother. Jacobsohn, who served as an officer in the Israel Police, told National Library archivists that her stepfather had a very broad education and vast knowledge of literature and art. Findings in archives across Europe indicate that Rosenkranz also corresponded with other writers, including Thomas Mann, Klaus Mann, Franz Goldstein and others, though it is not known what happened to these letters.

Photograph of Hans Rosenkranz

“Jacobsohn’s contribution to the National Library is exciting and significant, as it helps us to become more familiar with the work, personality and writings of Stefan Zweig, whose archive is in the National Library of Israel. For the research community and the general public interested in Zweig, these letters open another window into the tempestuous and fascinating life of one of the world’s most important and well-known writers,” said David Blumberg, Chairman of the National Library of Israel Board of Directors.

 

The Renaissance Woman Who Documented the Scientific Revolution

During the Reign of Terror Marie-Anne Lavoisier never surrendered in the face of persecution and kept the Scientific revolution alive and safe.

Marie-Anne and Antoine Lavoisier by Jaque-Louis David

When Marie-Anne Pierrette Paulze was 12 years old, she was already courted by the men of her social milieu. Precocious and self-confident, she rejected their advances. Though her father supported her in this, there was an understanding that in order to protect herself from ill-suited men, like her 50 year old great-uncle, she would have to marry someone rather soon.

Knowing this, at 14 she accepted the match to one Antoine Lavoisier who was only 28. Lavoisier was a colleague of her father’s in the pre-Revolutionary office, the “Ferme générale”, the most hated tax collectors of the crown. Antoine Lavoisier, by chance, was also one of the great revolutionaries of chemistry, credited with the discovery of the function of oxygen in combustion.

 

“Traite elementaire de chimie organique” (Elements of chemistry : in a new systematic order) by Antoine Lavoisier, Paris: Chez Cuchet, 1789

Marie-Anne Lavoisier was the one who arranged her husband’s laboratory life, of which she was an active participant. She was fascinated by his research from the start and helped with his endeavors, detailing his equipment and chronicling the processes of his chemistry experiments..

 

Lab equipment drawn by Marie-Anne Lavoisier from “Traite elementaire de chimie organique” (Elements of chemistry : in a new systematic order) by Antoine Lavoisier, Paris: Chez Cuchet, 1789

 

Her sketching was not simply secretarial work for her husband, nor was her art a hobby she did in her spare time. But rather it was the work of a skilled and talented artist. While Antoine Lavoisier worked his day job at the “Ferme générale”, Madame Lavoisier studied under the tutelage of renowned painter Jaque-Louis David, the man who would become the portrait painter of Emperor Bonaparte.

Madame Lavoisier cultivated her talents of art, languages, and science with equal fervor, translating scientific texts from English to French, all of which were part and parcel of the chemistry breakthroughs Antoine Lavoisier came to in the 1770s.
However, after the Revolution and the start of the Reign of Terror in France, Marie-Anne’s family suffered greatly and it seemed everything she had worked for with her husband had fallen apart.

In 1794 Antoine Lavoisier and Messer Paulze, Marie-Anne’s father, were guillotined. All her possessions were confiscated, including the books and journals in which she and her husband documented their experiments. She herself was imprisoned for 65 days after her husband’s execution.

After her release she continued to write protest letters, demanding the return of her books. Her efforts were not in vain and she eventually got back everything the authorities confiscated in the name of the Revolution.

She went on to publish Antoine Lavoisier’s final writings on chemistry in 1805 under the title, “Mémoires de physique et de chimie” (Memories of Physics and Chemistry) – thus keeping the scientific Revolution alive.

Lab equipment drawn by Marie-Anne Lavoisier from “Traite elementaire de chimie organique” (Elements of chemistry : in a new systematic order) by Antoine Lavoisier, Paris: Chez Cuchet, 1789

 

This article was written with the generous help of Chaya Meier Herr, curator of the Edelstein Collection at the National Library of Israel.

When the Nazis Desecrated the Jewish Cemetery of Salonika

Human bones and broken tombstones were used as building materials, desecrating 500 years of Jewish history and half a million gravestones.

A swimming pool for Wehrmacht soldiers made out of Jewish tombstones

The Jewish cemetery of Salonika (also known as Thessaloniki) was an anchor of the long standing Jewish community of that city, the largest Jewish community in Greece before the Holocaust. The cemetery was established at the end of the 15th-century, when Jews expelled from Spain and Portugal arrived in Greece. The Jews who survived the expulsion and the long journey, buried their dead in a plot of land that would become the Jewish cemetery of Salonika, as precious and important to the community as their synagogues.

Holocaust survivors gathered for the “Mourners’ Kaddish”

The process of expropriating the land belonging to the cemetery did not begin with the Nazis.

Decades prior to the Nazi occupation, the non-Jewish residents of Salonika sought to take the land and use it for their own benefit. In 1886 a Turkish Ottoman gymnasium was established on the cemetery ground and famously, the Aristotle University of Thessaloniki was founded in 1925. The university took over from the gymnasium when Greece gained independence. In the 1930s the city administration officially decreed that the Jewish cemetery would be expropriated and given to the expanding Aristotle University. The plan never came into effect, but fear of demolishment motivated the Jewish community to give the university a section of unused cemetery ground.

In 1941 the Nazis came, and with them, total destruction of the Jewish cemetery.

By the end of 1942 cemetery grounds were confiscated by the city’s administration, which was controlled by the Nazi occupiers. A Jewish family who had relatives buried there and wished to have the grave exhumed was forced to do so through the city administration. In December of 1942 the city pushed for a quick demolishment and within days gravestones were destroyed and human bones were gathered in unmarked piles. When the Jewish community heard of what had occurred it was too late. All they could do was take the remains of their family members and re-bury them in a mass grave, outside the city of Salonika.

Exhumed bones and desecrated tombstones

The desecration of the dead was part of the Nazis plan to dehumanize the living. With the destruction of the Jewish cemetery, the Germans swiftly began transporting the Jews of Salonika to the death camps.

 

View the entire album here:

Fifty thousand of Salonika’s Jews were murdered in the Holocaust, 96 percent of the city’s Jewish community perished.

When the survivors returned they found that the broken tombstones were used to build pools for Wehrmacht soldiers, pave the streets of the city, and even rebuild Greek churches that were harmed in the war. They took photographs, documenting the destruction and desecration and demanding compensation from the newly liberated Greek government, to no avail.

A pool lined with tombstones built by the Nazi occupying forces for Wehrmacht jackboots

 The Jewish cemetery of Salonika was a victim of modernization and city development as well as anti-Semitism and Nazism. The photos taken by the survivors were put together as an album, a testament to what had occurred to the living and the dead during the Nazi occupation and the Holocaust. The album was donated to the National Library of Israel in 1949 by Rabbi Michael Molho.

Along with the remaining Jewish community, Rabbi Molho founded the Institute for the Research of the Jews of Thessaloniki, which operates to this day.

Rabbi Michael Molho examining broken tombstones

I Bet You Didn’t Know Captain America was a Golem!

The very public Jewish roots of Captain America, the first superhero to punch Hitler in the face!

“Captain America was me, and I was Captain America.  I saw him as part of me, and he always will be.  In the fight scenes, when Cap used to take on seven men at once, and five bodies would fly around the room while he punched two in the jaw — that’s how I remember the street fights from my childhood.”

 – Jack Kirby

Once upon a time, in the city of New York, two young mentches created a comic book the world had never seen before. It was March 1941 and Captain America was giving Hitler a proper right hook, right in the kisser!

Captain America was probably the first truly political superhero, taking a stance against Hitler and Nazism. The Jewish background of his creators, Jack Kirby (born Jacob Kurzberg) and Joe Simon (born Hymie Simon), directly influenced the character and the original plot of the Nazi-punching hero.

Jack Kirby and Joe Simon, 1940’s, AP

They were both second generation Americans, their parents having come from Europe and brought with them the traditions and folklore of the Jewish communities who left their homes behind; seeking out a new life and new opportunities in America. It’s very likely that their families imagined that in this new country, they would not have to deal with the persecution and antisemitism that plagued Jewish people in Europe for centuries.

But antisemitism was all too common in America of the 1930s. After Hitler’s rise to power in Germany in 1933, groups like the German-American Bund (Amerikadeutscher Bund), an American group made up exclusively of German immigrants and German-Americans, worked to promote a favorable view of Germany, Hitler, and Nazism. They were, of course, outspokenly antisemitic.

The German-American Bund at a gathering in New York’s Madison Square Garden, February 20, 1939

“Jewish kids then were raised with a belief in moral values.  In the movies, good always triumphed over evil.  Underneath all of the sophistication of modern comics, all the twists and psychological drama, good triumphs over evil.”

– Jack Kirby 

When Germany invaded Poland on September 1st, 1939, and the war broke out, the United States kept its isolationist strategy as long as it could. It was at this time that Jack Kirby and Joe Simon, already successful animation and cartoon writers and artists, began to develop a character; a character who would be a savior for the Jewish people persecuted by the Nazis and would fight against the Nazi war machine, aiming to conquer Europe and the world.

Captain America #1 was published eight months before the Japanese attack on Pearl Harbor, the event which ushered in American participation in the war on the side of the Allies. By then, Captain America was a Nazi-fighting veteran.

The patriotic concept of Captain America is clear from the name and the colors of the American flag that make up his costume. And in many ways, Kirby and Simon intended for the hero to be All-American and unifying in the face of an enemy that was dangerous to the world at large. However, the Jewish signifiers crept in, some intentional and some very likely unconscious.

Captain America’s alter ego, Steve Rogers, was born on the Lower East Side of Manhattan, a well-known Jewish enclave from the late 19th-century and well into the 1940s and 1950s. When Steve Rogers attempts to get drafted into the US Army in order to go fight the Nazis in Europe, he is rejected time and again for health reasons. But Doctor Reinstein (an analogue for Albert Einstein, already a cultural icon of the time) taps Rogers for a special project in which he injects the frail patriot with “Super-Serum” that gives him health, strength, and agility; making Rogers the pinnacle of human ability and a super-soldier able to fight the Nazis practically single handed.

Captain America #1, March 1941. (Marvel Entertainment)

“Those are the things I learned from my parents and from the Bible.  It’s part of my Jewish heritage.”

– Jack Kirby

The analogy between Captain America and the Golem from Prague is clear when you look at the parallels. The Golem itself can be read as a precursor of superhero stories, a creature created for the protection of a community in peril. Like the Golem of the 16th-century, the frail Steve Rogers is the raw material needed in order to create a hero that will drive the persecutors of Jews away in fear.

In the 20th-century they were Hitler and the Nazis. The Golem is animated by the letters אמת spelling out the word “Truth” in Hebrew. The letter emblazoned on Captain America’s mask is “A” obviously for America, but the Hebrew letter א is analogous to the English letter A. Captain America’s weapon of choice is the shield, bringing to mind the Shield of David, that is, the Magen David. The modern interpretations of the Golem contain a star on his chest, just like Captain America.

The Golem, 1915 and Captain America, 1941

For more information about the Jewish roots of Captain America:

“Up, Up, And Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero” by Simcha Weinstein, Leviathan Press, 2006

The quotes from Jack Kirby are from “Secret Identities: Jewish Comic-Book Creators” by Michael Weiss, http://bit.ly/2wmqYKA, 1995

 

Irene Harand: One Woman’s Answer to Hitler

​One of the most despicable books in human history ever published is Mein Kampf. This is the story of Sein Kampf (His Struggle, An Answer to Hitler), and the woman who wrote it.

Portrait of Irene Harand beside the German title of "His Struggle"

In 1935, an obscure book was published in Austria titled Sein Kampf (His Struggle, an Answer to Hitler). The author, Irene Harand, went through Hitler’s Mein Kampf (My Struggle) and tore to shreds the book’s antisemitic claims, allegations, and ideology which swept through Germany and Austria from the time of its first publication in 1925.

Harand’s book, translated into English in 1937, is full of refutations of the antisemitic libels which Hitler used liberally in Mein Kampf. Harand rips into “The Protocols of the Elders of Zion”:

The text of the Protocols from beginning to end is nothing but a mess of lies and forgeries.

Any reflective individual who reads the Protocols will see at first glance that they are criminal fantasies of the worst order, and that the Jews have had no possible connection with them. The Nazis cannot Produce one iota of evidence that they are authentic. (pg. 175.)

Page 175 from “His Struggle”

Harand also attacks the idea that Jews are without a culture of their own and infiltrate societies for the sake of their own self-preservation:

Hitler maintains that the Jews never possessed a culture of their own, but always borrowed their intellectual substance from other peoples.

[…]

These Hitlerian comments on cowardice, lack of idealism and self-sacrifice in the Jews are totally devoid of any truth. (pg. 118.)

Page 118 from “His Struggle”

Harand, a Catholic Austrian, had no qualms about bringing to the forefront the ways that Christianity itself drove antisemitic ideas – ideas that became entrenched outside of religion and into social bias regarding Jewish people. She deconstructed these ideas throughout her book Sein Kampf in clear and easy language, giving examples, and exposing the fabrications of stereotypes and lies.

Between 1933 and the annexation of Austria by Nazi Germany in 1938, Irene Harand worked tirelessly and endlessly against the antisemitic incitement that swept through Austria after Hitler’s rise to power. She became a thorn in the side of the Austrian Nazi party for her activism and efforts to denounce Nazism and antisemitism.

Part of Irene Harand’s activism included a lecture circuit that took her all over Europe. During the Anschluss she happened to be in England. It was then that she decided against returning to Austria and ultimately immigrated to the United States where she used her connections to provide visas for over 100 Austrian Jews, helping them escape from the hands of the Nazis.

In 1968 Yad Vashem recognized Irene Harand as Righteous Among the Nations.

This article was written with the help Dr. Stefan Litt of the Archives Department of the National Library.